{"id":132,"date":"2015-07-05T13:04:46","date_gmt":"2015-07-05T13:04:46","guid":{"rendered":"https:\/\/ergonomics.eu\/FEES_WP\/2015\/07\/05\/ergonomics-and-creativity-in-a-high-pressure-and-unpredicable-world\/"},"modified":"2024-07-15T06:37:52","modified_gmt":"2024-07-15T06:37:52","slug":"ergonomics-and-creativity-in-a-high-pressure-and-unpredicable-world","status":"publish","type":"post","link":"https:\/\/ergonomics.eu\/FEES_WP\/2015\/07\/05\/ergonomics-and-creativity-in-a-high-pressure-and-unpredicable-world\/","title":{"rendered":"ERGONOMICS AND CREATIVITY IN A HIGH PRESSURE AND UNPREDICABLE WORLD"},"content":{"rendered":"<p>A scientific workshop was organized June 2015 in Lisbon by the Portuguese Ergonomics Association, represented by Teresa Cotrim, co-organized with the Italian Ergonomics Association, represented by Sara Albolino, and supported by FEES, represented by Pascal Etienne.<\/p>\n<p>\nApproaching the IEA2018 Congress the principal aim was starting a debate among professionals of different fields about the more effective way to develop creativity in practice, through the use of ergonomics. The main challenges of this workshop were to question the participants about:<\/p>\n<\/p>\n<p>A scientific workshop was organized June 2015 in Lisbon by the Portuguese Ergonomics Association, represented by Teresa Cotrim, co-organized with the Italian Ergonomics Association, represented by Sara Albolino, and supported by FEES, represented by Pascal Etienne.<\/p>\n<p>\nApproaching the IEA2018 Congress the principal aim was starting a debate among professionals of different fields about the more effective way to develop creativity in practice, through the use of ergonomics. The main challenges of this workshop were to question the participants about:<\/p>\n<\/p>\n<ul>\n<li>\nAre ergonomists able to be creative and to produce work that is both novel and appropriate? <\/li>\n<li>\nHow can ergonomists contribute to design work environments for creativity? <\/li>\n<li>\nHow can Ergonomics help organizations to better use its internal resources for product and process innovation? <\/li>\n<li>\nCan the existing ergonomics knowledge on work environments for comfort, health and safety be applied to foster creativity and innovation in organizations? <\/li>\n<\/ul>\n<p>\nMain orientation for the workshop:<\/p>\n<ul>\n<li>\nCreativity involves the generation of novel and useful ideas, while innovation entails the implementation of these ideas into new products and processes. <\/li>\n<li>\nThis sequence seems logical and fairly evident. However, even a brief look at the innovation efforts of organizations reveals that they face many challenges and obstacles in maintaining smooth and balanced innovation processes. <\/li>\n<li>\nIdea generation requires experimentation, disrupts routines, challenges common assumptions and is closely associated with explorative activities. <\/li>\n<li>\nIn contrast, idea implementation requires a process, efficiency, goal orientation, and routine execution\u2014attributes most often associated with exploitative activities. <\/li>\n<li>\nUseful ideas are generally valued, but the more novel they are, the more questions are raised about their practicality, reproducibility, and reliability, thereby increasing uncertainty for decision makers that allocate resources and those in charge of implementing creative ideas. <\/li>\n<li>\nProcess innovations that are relatively more systemic in nature and product innovations that are more autonomous. <\/li>\n<\/ul>\n<p>\nMain Outcomes of the workshop (the speakers agreed that): <\/p>\n<ul>\n<li>\nErgonomists contribute to design work environments for creativity by using their knowledge on work systems. <\/li>\n<li>\nAs much as a system is complex and safety critical, the more human operators\u2019 skills, abilities and experience are important for the system efficiency and safety. <\/li>\n<li>\nThe ergonomic projects strongly involve human operators at the sharp end and focus on observation on the field, leading to the identification of human behaviors that promote creative solutions at the organizational level. <\/li>\n<li>\nLifelong training enhance human operators that are potentially creative, to find new solutions for an unexpected work-related problem as the situation requires. <\/li>\n<li>\nCreative products can be developed based on participatory ergonomics and by using a human centered design approach. <\/li>\n<li>\nErgonomics conceptual approaches can give an important contribute to create resilient systems. <\/li>\n<li>\nAccording to the ever changing of the world, it is important to make a shift in the view of some main concepts as the one of safety and pay attention more to understanding the context instead of trying to catch a specific content in procedures and formal projects. We could resume it with the slogan: \u201cFrom the content to the context in order to develop creativity and design\u201d.\n<\/li>\n<\/ul>\n<p>\nProgram: <\/p>\n<ul>\n<li>\nERGONOMICS IN FRONT OF THE CREATIVITY IN THE FUTURE WORK<br \/>\nPascal Etienne (FEES, France) <\/li>\n<li>\nFUTURE CHALLENGES FOR ERGONOMICS<br \/>\nFrancisco Rebelo (Ergonomics Laboratory, FMH \/ ULisboa, Portugal) <\/li>\n<li>\nPORTUGUESE INNOVATION STANDARDS &#8211; SYSTEMATIC APPROACH TO RESEARCH, DEVELOPMENT &amp; INNOVATION<br \/>\nPedro Ferreira (SGS, Portugal) <\/li>\n<li>\nHOW DOES THE TECHNOLOGY PROVIDE THE RIGHT RETAIL EXPERIENCE FOR EACH CUSTOMER&#8217;S URGENCY? <br \/>\nIn\u00eas Gon\u00e7alves (Novabase, Portugal) <\/li>\n<li>\nNURTURING CREATIVITY WITHIN SAFETY CRITICAL SYSTEMS<br \/>\nAnabela Sim\u00f5es (CIGEST, Portugal) <\/li>\n<li>\nCREATING RESILIENT SOLUTIONS AT THE SHARP END: THE EXPERIENCE OF THE TUSCANY REGION<br \/>Sara Albolino, Elena Beleffi and Giulio Toccafondi (Center for Patient Safety \u2013 Tuscany Region, Italy) <\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>A scientific workshop was organized June 2015 in Lisbon by the Portuguese Ergonomics Association, represented by Teresa Cotrim, co-organized with the Italian Ergonomics Association, represented by Sara Albolino, and supported by FEES, represented by Pascal Etienne.<\/p>\n<p>\nApproaching the IEA2018 Congress the principal aim was starting a debate among professionals of different fields about the more effective way to develop creativity in practice, through the use of ergonomics. The main challenges of this workshop were to question the participants about:<\/p><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-132","post","type-post","status-publish","format-standard","hentry","category-ergonomics_event"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.3 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>ERGONOMICS AND CREATIVITY IN A HIGH PRESSURE AND UNPREDICABLE WORLD - Federation of the European Ergonomics Societies<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/ergonomics.eu\/FEES_WP\/2015\/07\/05\/ergonomics-and-creativity-in-a-high-pressure-and-unpredicable-world\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"ERGONOMICS AND CREATIVITY IN A HIGH PRESSURE AND UNPREDICABLE WORLD - Federation of the European Ergonomics Societies\" \/>\n<meta property=\"og:description\" content=\"A scientific workshop was organized June 2015 in Lisbon by the Portuguese Ergonomics Association, represented by Teresa Cotrim, co-organized with the Italian Ergonomics Association, represented by Sara Albolino, and supported by FEES, represented by Pascal Etienne. 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